{"id":42,"date":"2010-02-13T13:27:40","date_gmt":"2010-02-13T13:27:40","guid":{"rendered":"http:\/\/192.168.1.92\/wordpress\/?page_id=42"},"modified":"2022-10-26T19:53:43","modified_gmt":"2022-10-26T19:53:43","slug":"biography","status":"publish","type":"page","link":"http:\/\/www.isidoraficovic.net\/?page_id=42","title":{"rendered":"CV&#038;contact"},"content":{"rendered":"<p>EDUCATION<br \/>\n2021 &#8211; PhD diploma at the Faculty of Fine Arts, Belgrade<br \/>\n2016 &#8211; MA in Interface Culture, Master of Arts diploma, Kunstuniversit\u04d3t Linz, Austria<br \/>\n2016\/15 &#8211; Studies at IAMAS (Institute of Advanced Media Arts and Sciences), Ogaki, Japan<br \/>\n2014\/13 &#8211; Bilgi University Istanbul, VCD (Visual Communication Design department), Erasmus exchange, Turkey<br \/>\n2007 &#8211; Magister of painting diploma, Postgraduate studies, at the Faculty of Fine Arts, Belgrade, Serbia<br \/>\n2001 &#8211; BA\/MA diplomas at the Faculty of Fine Arts, Belgrade, Serbia<\/p>\n<p>SOLO EXHIBITIONS<\/p>\n<p>2021 &#8211; Summertime, swimming pools, straws and cocktails, Ostavinska Gallery in organization of BASH, Belgrade \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2020 &#8211; Every Dot is a New Beginning, Selling Gallery Belgrade\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2020 &#8211; Every Dot is a New Beginning, FLU Gallery, Belgrade \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2019 &#8211; Time and Space: dot, line, circle, triangle, square, CZK Kovin, CZK Despotovac, Serbia\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 2018 &#8211; Preplet. Zmaj, Nebo i Zemlja. \/ Interweaving. Dragon, Heaven and Earth, Lucida Gallery, Belgrade; CZK Sopot; KCK Kru\u0161evac, Serbia<br \/>\n2016 &#8211; Gest ruke stvara, kroz vekove, linije pokreta ruke \/ Hand gesture creates, through centuries, the lines of a hand movement, Center for visual education \u0160umatova\u010dka, Belgrade, Serbia<br \/>\n2016 &#8211; Sunflower, Asimo and a Cat, Cultural Center Ribnica, Kraljevo, Serbia<br \/>\n2015 &#8211; Light travels faster to us than sound, with Daichi Misawa\u2019s Data Auditorio performance, AU Gallery, Vienna<br \/>\n2013 &#8211; Where have you been all my life?, Ukradena Galerie Linz, Austria<br \/>\n2011 &#8211; What is Contemporary?, Magacin in organization of Dom omladine, Belgrade, Serbia<br \/>\n2011 &#8211; Strategy DAY + NIGHT, Magacin, Belgrade, Serbia<br \/>\n2010 &#8211; Black Rabbit\/Polje Crnog Zeca, DKSG Gallery, Belgrade, SR<br \/>\n2007 &#8211; Ratman, FLU Gallery, Belgrade, Serbia<br \/>\n2004 &#8211; Breakfast with the head, Remont Gallery, Belgrade, Serbia<br \/>\n2002 &#8211; White-hot, Fresh,Voracious Meat,SULUJ Gallery,Belgrade,SR<br \/>\n2001 &#8211; 120 pictures in 60 minutes, with Aleksandar Jestrovi\u0107, SKC Gallery, Belgrade, Serbia<br \/>\n2001 &#8211; \u2018I\u2019m 9 years old and I\u2019m afraid of ladder\u2019 performance, SKC Gallery, Belgrade, Serbia<\/p>\n<p>GROUP EXHIBITIONS, FESTIVALS, AND BIENNIALS<\/p>\n<p>2022 &#8211; Art and Society, Pavilion des arts Cvijeta Zuzoric, Belgrade\u00a0 2022 &#8211; PAINTING \/ NOW, Pavilion des arts Cvijeta Zuzoric, Belgrade\u00a0 \u00a0\u00a0\u00a0 2021 &#8211; Painting section 2020\/2021, Pavilion des arts Cvijeta Zuzoric, Belgrade, SR\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 2020 &#8211; Atlas Particle \u2013 are you predictable?, extended media section Pavilion des arts Cvijeta Zuzoric 2019 &#8211; Triennial of extended media, Art Pavilion Cvijeta Zuzori\u0107, Belgrade, Serbia<br \/>\n2019 &#8211; Next 100 years in renewed pavilion Cvijeta Zuzori\u0107, Art Pavilion Cvijeta Zuzori\u0107, Belgrade, SR<br \/>\n2018 \u2013 Painting colony Ada, Gallery 73, Belgrade, Serbia<br \/>\n2018 \u2013 Open Studio, Cit\u00e9 internationale des arts, Paris, France<br \/>\n2018 \u2013 Feminist art colony, Gallery ART55 Ni\u0161 and LKC Leskovac, Serbia<br \/>\n2018 \u2013 Woman secret, group video screening, Kvaka 22, Belgrade<br \/>\n2018 &#8211; TIME is Love.11 [Show 1], International video art program, LILY AGIUS GALLERY, 54 Cathedral Street Sliema \u2013 MALTA; CCA Centre for Contemporary Arts\u00a0<span class=\"text_exposed_show\">358 Sauchiehall St, GLASGOW &#8211; UK<\/span><br \/>\n2017 &#8211; Brave new world, Cultural center Baraka, Belgrade, Serbia<br \/>\n2017 &#8211; December salon, ULUS Gallery and Pavilion Cvijeta Zuzori\u0107, Belgrade, Serbia<br \/>\n2017 &#8211; Autumn exhibtion, Pavilion Cvijeta Zuzori\u0107, Belgrade, Serbia<br \/>\n2017 &#8211; November salon,the gallery of National Museum Kraljevo,SR<br \/>\n2017 &#8211; Painting colony Ada, Gallery 73, Belgrade, Serbia<br \/>\n2017 &#8211; Sne\u017eana and the seven deadly sins, SKC main hall, Belef festival, Belgrade, Serbia<br \/>\n2017 &#8211; Back to Now, U10 Gallery, Belgrade, Serbia<br \/>\n2016 -Festival S.U.T.R.A,Museum of science and technic,Belgrade,SR<br \/>\n2016 &#8211; INTERACTING ART: working unworks and unworking works, Raumschiff, part of the RADICAL ATOMS program at Ars Electronica, Linz, Austria<br \/>\n2016 &#8211; WRONG, New Digital Art Biennale (Spain), Interface Change Culture, INTERNET<br \/>\n2015 &#8211; POST POST, Ars Electronica festival, Linz, Austria<br \/>\n2015 &#8211; Resonate festival, Belgrade, Serbia<br \/>\n2015 &#8211; Unmade Displays, Villa Manin, Film Forum Udine, Itally<br \/>\n2015 &#8211; Time is Love 8, International video screening: Sobering Galerie Paris, National Institute of Fine Arts Tetouan 2015 &#8211; Morocco, Sala Rekalde Bilbao, A LAB Amsterdam, Zeta Art Center&amp; Gallery Tirana, Expressive Arts Institute San Diego, USA, SAKURA WORKS, Yokohama, Japan<br \/>\n2014 &#8211; Iz druge ruke\/2nd Hand,Paviljon Cvijeta Zuzori\u0107,Belgrade,SR<br \/>\n2013 &#8211; TOTAL RECALL, The Evolution of Memory \u2013 Ars Electronica festival, Linz, Austria<br \/>\n2013 &#8211; Metaphors \u2013 nomadenetappe \u2013 Kunst und Theorie Untere Donaul\u00e4nde, curated by: Enrique Tom\u00e1s, Linz<br \/>\n2013 &#8211; Time is Love 6, curated by Kisito Assangni, Screening: Mori + Stein Gallery, London; Sazmanab, Tehran<br \/>\n2012 &#8211; Overlapping Biennial \u2013 5th Edition of The Biennial of Young Artists, Bucharest, Romania<br \/>\n2012 &#8211; Time is love, 5th edition\/curated by Kisito Assangni, Screening: Box) Videoart Project Space \u2013 Via Federico Confalonieri 11 \u2013 Milan, Italy; Savvy Contemporary Art \u2013Berlin, Germany; The Garage Gallery in Cooperation with Expressive Arts Institute USA; Galerie Octobre, Paris, France; KULTER. Amsterdam; CITY ART GALLERY, Kharkov, Ukraine<br \/>\n2012 &#8211; Parallax AF &#8211; P(AF), Art Fair, London, Great Britain<br \/>\n2011 &#8211; PASSWORD, Primo PianoLivin Gallery, Lecce, Italy<br \/>\n2011 &#8211; EYE OF THE STORM, Primo PianoLivin Gallery, Lecce, Italy<br \/>\n2011 &#8211; TIME PACKAGES, 91 mQ, LANDSBERGER ALLEE 54, Berlin, Germany<br \/>\n2011 &#8211; ART-ATHINA, The 17th edition of the International Contemporary Art Fair of Athens, curator Anja Obradovic, Greece<br \/>\n2011 &#8211; The Merchant of Dreams Show, curator Dores Sacquegna, Primo PianoLivin Gallery, Lecce, Italy<br \/>\n2011 &#8211; Language is a virus, curator Dores Sacquegna, Primo PianoLivin Gallery, Italy<br \/>\n2010 &#8211; INSIDE\/OUTSIDE, Primo Piano LivinGallery, Lecce, Italy<br \/>\n2010 &#8211; Time is love.3, International video art exhibition curated by Kisito Assangni, Berlin, Germany<br \/>\n2009 &#8211; Dialogues Parallels, French Cultural Center, Belgrade, Serbia<br \/>\n2008 &#8211; Warming project, at Formwerk, Eskilstuna, Sweden<br \/>\n2008 &#8211; Here..There..Abroad..project, curated by Fatos Ustek, Rum 46, Aarhus, Denmark<br \/>\n2008 &#8211; Spaport \u2013 \u201cIt\u2019s raining outside, but I don\u2019t believe that it is.\u201d \u2013 international annual exhibition of contemporary art, Banja Luka, BiH<br \/>\n2007 &#8211; Next code: love, Steirischer Herbst festival, Graz, Austria<br \/>\n2007 &#8211; Dez. Org. Yu Today, Cantieri Teatrali Koreja, Lecce, Italy<br \/>\n2006 &#8211; Asolo film festival, Italy<br \/>\n2006 &#8211; Arhipelag Arhipelag, festival, N.Gorica, Slovenia<br \/>\n2006 &#8211; Pixel dance, festival Thessalonica, Greece<br \/>\n2005 &#8211; Video tapestry, video festival, Velenje, Slovenia<br \/>\n2005 &#8211; Colony 2001, Remont Gallery, Belgrade, Serbia<br \/>\n2005 &#8211; 18ter\/18th Stuttgarter Filmwinter, Festival for Expanded Media, Stuttgart, Germany<br \/>\n2002 &#8211; Time Codes, 5th International Biennale of Young artists, Vr\u0161ac, Serbia<\/p>\n<p>AWARDS AND COLLECTIONS<\/p>\n<p>2019 &#8211; Collection of Center for culture Kovin, Serbia\u00a0 2018 &#8211; Collection of Lucida Gallery, Belgrade\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 2018 &#8211; Collection of XVitamin Gallery, Belgrade<br \/>\n2017 &#8211; Rotary club award for the painting, Belgrade, Serbia<br \/>\n2017 &#8211; Collection of Cultural Center Leskovac, Serbia<br \/>\n2016 &#8211; Collection of Center for visual education \u0160umatova\u010dka, SR<br \/>\n2013 &#8211; Collection of Apartment project, Istanbul, Turkey<br \/>\n2012 &#8211; Rotary club award for the painting, Belgrade, Serbia<br \/>\n2006 &#8211; Collection of Platform Garanti (current SALT), Center for Contemporary Art, Istanbul, Turkey<br \/>\n2005 &#8211; First price, video festival \u2018Video tapestry\u2019, Velenje, Slovenia<\/p>\n<p>GRANTS<\/p>\n<p>2021 &#8211; Ministry of Culture and Information for international collaboration, Belgrade, Serbia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2018 \u2013 Ministry of Culture and Information, Serbia<br \/>\n2018 \u2013 Lucida Gallery and Soul Wine, Serbia<br \/>\n2016 &#8211; F\u00f6rderungsverein grant, Kunstuniversit\u04d3t Linz, Austria<br \/>\n2015 &#8211; Auslandsstipendium, Kunstuniversit\u04d3t Linz grant, Austria<br \/>\n2013 &#8211; Erasmus scholarship grant, Kunstuniversit\u04d3t Linz, Austria<br \/>\n2011 &#8211; The City Hole Belgrade grant, Belgrade, Serbia<br \/>\n2011 &#8211; Republic of Serbia-Ministry of Culture grant, Belgrade, SR<br \/>\n2010 &#8211; Kultur Kontakt Grant, Austria<br \/>\n2010 &#8211; Trust for Mutual Understanding grant, NYC, U.S.<br \/>\n2010 &#8211; Republic of Serbia-Ministry of Culture grant, Belgrade, SR<br \/>\n2009 &#8211; The City Hole Belgrade grant, Belgrade, Serbia<br \/>\n2009 &#8211; European Cultural Foundation, Step Beyond grant, Amsterdam, HN<br \/>\n2008 &#8211; Kultur Kontakt grant, Vienna, Austria<br \/>\n2007 &#8211; The Finland Embassy grant, Belgrade, Serbia<br \/>\n2007 &#8211; Republic of Serbia-Ministry of Culture grant, Belgrade, SR<br \/>\n2006 &#8211; Backyard Residency, Platform Garanti Contemporary Art Center grant, Istanbul, Turkey<br \/>\n2006 &#8211; Republic of Serbia-Ministry of Culture grant, Belgrade, SR<br \/>\n2005 &#8211; Nordic Ministry of Council grant, Copenhagen, Denmark<br \/>\n2005 &#8211; Pro Helvetia grant, Swiss Cultural Program Belgrade, Serbia<br \/>\n2005 &#8211; Republic of Serbia-Ministry of Culture grant, Belgrade, SR<br \/>\n2004 &#8211; Schule f\u00fcr Gestaltung grant, Basel, Switzerland<\/p>\n<p>RESIDENCY, ART COLONY, AND RESEARCH<\/p>\n<p>2018 &#8211; Cit\u00e9 internationale des arts, Paris, France<br \/>\n2018 \u2013 Feminist art colony, Si\u0107evo, Serbia<br \/>\n2017 &#8211; Art colony Vlasina, Cultural Center Leskovac, Serbia<br \/>\n2017 &#8211; What is missing?, art colony Go\u010d, Cultural Center Ribnica, SR<br \/>\n2011 &#8211; ISCP, international studio &amp; curatorial program, NY, USA<br \/>\n2010 &#8211; Dan\/ Lia Perjovschi class, International Summer Academy of Fine Arts, Salzburg, Austria<br \/>\n2008 &#8211; Nancy Davenport class, International Summer Art Academy, Salzburg, Austria<br \/>\n2007 &#8211; Nancy Davidson &amp; Julie Hayward class, International Summer Art Academy, Salzburg, Austria<br \/>\n2006 &#8211; PLATFORM Garanti Contemporary Art Center, Istanbul, TR<\/p>\n<p>PR AND BLOGGING\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 2015 &#8211; POST POST exhibition of Interface Culture at POST CITY Ars Electronica festival, Linz, Austria<\/p>\n<p>ORGANIZATION, MANAGEMENT ON THE PROJECTS<\/p>\n<p>2017 &#8211; Back to Now, U10 Gallery, Belgrade, Serbia<br \/>\n2009 &#8211; Contingent Identities (Border DisorderV) DEPO Istanbul, TR<br \/>\n2007 &#8211; Alien (Border DisorderIV), Mar\u017eik Gallery, Kraljevo, Serbia<br \/>\n2005 &#8211; Border DisorderIII, SKC and OZON Gallery, Belgrade, Serbia<\/p>\n<p>LECTURES AND WORKSHOPS<\/p>\n<p>2021 &#8211; Gestural Rhythm of Dot, in visual representations of personalized spaces of cities, The Faculty of Fine Arts, Belgrade\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 2019 &#8211; Lecture &#8220;Different gestural movement as fine art expression in multimedia works&#8221;, The Forest Faculty, Belgrade, Serbia<br \/>\n2018 &#8211; Lecture \u201cBenefits of new technologies: from interactive art to social interface\u201d, Share Square, Belgrade<br \/>\n2018 &#8211; Presentation lecture \u201cIdea that leads the spirit in art is beauty\u201d, Serbian Cultural Center, Paris, France<br \/>\n2018 &#8211; Lecture \u201cFrom Interface Culture in Linz to IAMAS in Japan\u201d, Japanizam, Dom Omladine, Belgrade, Serbia<br \/>\n2018 &#8211; Workshop of Geometry, \u201eBRAIN TRAINING THROUGH ART: PATTERN DRAWING WITH TWO HANDS, BRAIN VIVE (TONIC TO BRAIN)\u201c &#8211; prof. Eiichi Tosaki\u201fs workshop, University Library Belgrade, Serbia<br \/>\n2018 &#8211; Lecture &#8220;Structure of master program studies at Interface Cultures in Linz&#8221;, Faculty of Fine Arts Belgrade, Serbia<br \/>\n2017 &#8211; Lecture \u201dFrom interactive art to social interfaces\u201d, at the Faculty of Media and Communication, Belgrade<br \/>\n2016 &#8211; Learning-play workshop and performance \u201cNew People\u201d, with Chto Delat group from St.Petersburg, Russia, at CZKD, Belgrade, Serbia<br \/>\n2016 &#8211; Lecture \u201cCrossing through media\u201d, at The Institute for Artistic Dance, Belgrade, Serbia<br \/>\n2016 &#8211; Lecture \u201cCrossing through media\u201d, at Film forum SKC, Belgrade, Serbia<br \/>\n2016 &#8211; Lecture \u201cFrom paintings to electronics: an outlook from Interface Culture\u201d, in Hiroshima Kokusai Gakuin University, Hiroshima<br \/>\n2016 &#8211; Lecture \u201cFrom paintings to electronics: an outlook from Interface Culture\u201d, in Japan Society for Graphic Science Meeting, Hiroshima<br \/>\n2014 &#8211; Workshop with Andreas Schneider (IIDj, Tokyo) and Cihangir Istek (Bilgi University) \u201cIstanbul Smart City\u201d, Bilgi University Istanbul, Turkey<br \/>\n2009 &#8211; International workshop \u201cContingent Identities\u201d of Border Disorder V project, Istanbul, Turkey<br \/>\n2007 &#8211; International workshop \u201cAlien\u201d of Border Disorder IV project, Mar\u017eik Gallery, Kraljevo, Serbia<br \/>\n2005 &#8211; International workshop of Border Disorder III project, SKC and OZON Gallery Belgrade, Serbia<br \/>\n2004 &#8211; Workshop Belgrade-Basel project at \u2018Schule f\u00fcr Gestaltung\u2019 Basel, Switzerland<br \/>\n2004 &#8211; International workshop of Border Disorder II project, Splab Gallery, Aarhus, Denmark<br \/>\n2003 &#8211; Speak up workshop, with students-participants from Denmark, Sweden, Norway, Finland, Croatia, Macedonia and Serbia, under leadership of Mika Hannula and Branislav Dimitrijevi\u0107 at the Museum of Contemporary Art Belgrade, Serbia<\/p>\n<p>PUBLICATIONS<\/p>\n<p>&#8211; Next 100 years in renewed pavilion Cvijeta Zuzoric, catalog, Belgrade, Serbia<br \/>\n&#8211; Lucida Gallery, 2018. Preplet. Zmaj, Nebo i Zemlja \/ Interweaving. Dragon, Heaven and Earth, Belgrade, Serbia<br \/>\n&#8211; Average Art 18,\u00a0January 2018. Art Magazine \u2013UK<br \/>\n&#8211; City of Kraljevo 2017. November Salon of Visual Art catalog, Kraljevo, Serbia<br \/>\n&#8211; Umetni\u010dki paviljon \u201cCvijeta Zuzori\u0107\u201d, 2017. Autumn exhibition, 30.11-18.12.2017, \u0160tamparija Raduni\u0107, Belgrade, Serbia<br \/>\n&#8211; Ficovic, Isidora, 2016. Interactivity in drawing\/writing gesture, AV Akademikerverlag, Germany<br \/>\n&#8211; Leopoldseder, H., Schopf, C., Stocker, G. (eds.) 2015. POST CITY, Ars Electronica Festival 2015, Hatje Cantz, Vienna (AT)<br \/>\n&#8211; Interface Cultures at Film Forum Festival, Curated by Davide Bevilacqua and Vincenzo Estremo, 20.03.-19.04. 2015.\u00a0Unmade Displays,\u00a0 Villa Manin Di Passariano<br \/>\n&#8211; Leopoldseder, H., Schopf, C., Stocker, G. (eds.) 2013. Total Recall: the evolution of memory \u2013 Ars Electronica Festival 2013, Hatje Cantz, Vienna (AT)<br \/>\n&#8211; Mara Prohaska Markovi\u0107, February 2012. Interview of the month with Isidora Fi\u0107ovi\u0107, ART FAMA, Belgrade, Serbia<br \/>\n&#8211; Magacin, 2011. Strategy Day + Night catalog, , Belgrade, Serbia<br \/>\n&#8211; French cultural center Belgrade, 2009. Dialogues Paralleles catalog, Belgrade, Serbia<br \/>\n&#8211; Maria Eichhorn, 2007. Verlag der Buchhandlung Walther K\u00f6nig, K\u00f6ln, Germany<br \/>\n&#8211; Remont Gallery,\u00a0 2007. Remont Art Magazin br.15, Belgrade, SR<br \/>\n&#8211; Contemporary art fair Istanbul, 2006. The information sheet of the Platform Garanti<br \/>\n&#8211; Ozon, 2006. Dislocation\/Utopian Spaces catalog, Belgrade, Serbia<br \/>\n&#8211; Contemporary Art Gallery, 2006. Dislocation\/Utopian Spaces catalog, Smederevo, Serbia<br \/>\n&#8211; Center for Culture, 2006. Dislocation\/Utopian Spaces catalog, Sopot, Serbia<br \/>\n&#8211; Remont Gallery, 2005. Remont alumni catalogue, Belgrade, Serbia<br \/>\n&#8211; 18 Stuttgart Filmwinter, 2005. Festival of expanded media catalogue, Stuttgart, Germany<br \/>\n&#8211; Remont Gallery, 2004. Remont annual catalogue, Belgrade, Serbia<br \/>\n&#8211; Dioklecijan sellars, 2004. 17. Annale Art Adria catalogue, Split, Croatia<br \/>\n&#8211; National museum Montenegro, 2004.\u00a0Strange point of tension catalog, Cetinje, Montenegro<br \/>\n&#8211; BELEF 04,\u00a0 2004. Artikuliranje, Belgrade summer festival catalogue, Serbia<br \/>\n&#8211; BELEF 03, 2003. Logical, Belgrade summer festival catalogue, Belgrade, Serbia<br \/>\n&#8211; International biennial of youth,2002.Time codes catalog,Vr\u0161ac(SR)<\/p>\n<p style=\"font-weight: normal;\"><em><span style=\"color: #ff00ff;\"><span style=\"color: #ff00ff;\">isidoraficovic15@hotmail.com \u00a0<\/span><\/span><\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.isidoraficovic.net\/?page_id=4848\"><span style=\"color: #ff99cc;\">BRIEF BIOGRAPHY<\/span><\/a><\/p>\n<p style=\"font-weight: normal; text-align: right;\"><em><a style=\"font-weight: normal;\" href=\"http:\/\/www.isidoraficovic.net\"> <span style=\"color: #333399;\"> home<\/span><\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EDUCATION 2021 &#8211; PhD diploma at the Faculty of Fine Arts, Belgrade 2016 &#8211; MA in Interface Culture, Master of Arts diploma, Kunstuniversit\u04d3t Linz, Austria 2016\/15 &#8211; Studies at IAMAS (Institute of Advanced Media Arts and Sciences), Ogaki, Japan 2014\/13 &#8211; Bilgi University Istanbul, VCD (Visual Communication Design department), Erasmus exchange, Turkey 2007 &#8211; Magister &hellip; <a href=\"http:\/\/www.isidoraficovic.net\/?page_id=42\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">CV&#038;contact<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":495,"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":5529,"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=\/wp\/v2\/pages\/42\/revisions\/5529"}],"wp:attachment":[{"href":"http:\/\/www.isidoraficovic.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}